Good things always come in threes. There was once the Concerto in Italian Style, BWV 971, reconfigured according to the by-then modern disposition advocated in Italy at the beginning of the 18th century (anthology Concerti italiani, 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation (Variations on Variations, OP30575). Here are now three completely original orchestral suites by Bach, a new fool’s game organized by a tongue-in-cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.