In Mirrorwork, her second collection, Mimi Khalvati takes the Islamic art of mirror-mosaic – found in palaces, barber shops, kebab houses – as metaphor. The shorter poems refract one another, the three long sequences act as a mirror triptych, their themes – of art, nature, domestic life and memory, east and west – drawing the other poems together.

In a mirror-mosaic you search for your reflection but can't find it whole, only flickering, variegated, fragmented, as on television when a pattern is played across a face to preserve anonymity, while the voice discloses what the picture conceals. In Mirrorwork Khalvati at once establishes a voice and questions its integrity. It is a book about becoming, as the poet's children leave home and she must find a changed self and purpose, a new space.